CD RECORDINGS • CD-AUFNAHMEN
(World Premiere Recordings)

Commemorating the Jewish Cemetery in Hamburg-Altona CD Zeller Batz cover
Michael Batz/Igor Zeller. An den Wassern Altonas. Sequenz zum Jüdischen Friedhof Königstrasse für Soli, Chor, Sprecher und 6 Solo-Instrumente (= On the Waters of Altona: Sequence for the Jewish Cemetery Königstrasse for soloists, choir, speakers, and six solo instruments).
CD (with book), Hamburg: E&F Edition, 2018, ISBN 978-3-9820406-0-8.

 

 

 

O Holy NightCD Weihnachten HS Cover
Weihnachten mit den Hamburger Symphonikern
Adolphe Adam, “O Holy Night (Cantique de Noël),” arr. for violin and harp by M. Wulfhorst (2013)
Martin Wulfhorst - violin, Janina Albrecht - harp, soloists of the Hamburg Symphony
CD, Symphoniker Hamburg, 2013

 

 

New American Chamber MusicCD Innova
— Ann Silsbee, Waking for flute, clarinet, violin, cello, and percussion
— Daniel Godfrey, Scrimshaw for flute and violin
Society for New Music, Martin Wulfhorst - violin, Linda Green - flute
World premiere recordings.
CD: Society for New Music: American Masters for the 21st Century, 5-CD box, Spectrum/Innova 666, 2004. Available on Spotify and other platforms.

        ♪ Daniel Godfrey, Scrimshaw for Flute and Violin (excerpt)

 

 

CD Rom NorddRomantisches Norddeutschland Kammermusik aus dem Umkreis von Spohr und Brahms • Chamber Music from the Circles of Spohr and Brahms
Carl Louis Bargheer (1831-1902), Carl Reinecke (1824-1910), Gottfried Herrmann (1808-1878), Carl G.P. Grädener (1812-1883), Ernst Reiter (1814-1875), Ferdinand Pfohl (1862-1949), Felix Woyrsch (1860-1944), August Max Fiedler (1859-1939), Eusebius Mandyczewski (1857-1929), Alexander von Fielitz (1850-1930), Georg Goltermann (1824-1898), Louis Spohr (1785-1859)
Marjorie Patterson - soprano, Mitchell Vines - piano, Martin Wulfhorst - violin
World premiere recordings. CD: Jambus/Syrinx CD, 1999.

      Booklet

      ♪ C.G.P. Grädener Violin Romance (excerpt)

      ♪ Gottfried Herrmann “Frühlingsglaube” (excerpt)

      ♪ Louis Spohr “Abendstille” (excerpt)

 

Martin Wulfhorst